Fallen leaves and fruits etch the snow when caught by the wind, leaving inscrutable messages. Tree roots do the same as they carve up through asphalt. The last few weeks have provided ample opportunity to read these signs.
These snow scribblings bring to mind David Hinton’s description of the work of the Chinese poet Summit-Gate (峰門). Summit-Gate would gather particularly beautiful autumn leaves and carefully lay them in book-scroll boxes. These boxes were her library. When snows came, she took the leaves to her poetry shelter and released them one by one, watching their wind-blown botanical calligraphy on the snow. She could read the start of every poem but, by choice, the conclusions eluded her.
There is more to her story, all told in David’s excellent book, Hunger Mountain, a meditation on landscape, mind, and literature.
So in these snowy days, we can learn from Summit-Gate and keep our eyes on the surface to see what legumes, samaras, and cast-off leaves might be saying. Ideograms are also being continually made and erased on other surfaces: beaches, dusty roadsides, perhaps even the ooze on a scummy lake. This is “tracking” of a different sort.