Sitting in the woods with my class last week, I was struck by how grays had come to dominate. The light environment is transformed. Of course, a “fifty shades” wisecrack had to work its way into my impromptu lesson on the visual aesthetics of the forest. The witticism turned into a small project for my walks of the last week: pay attention and find these shades. So here they are, fifty photographs of variations on the theme.
Gray is the most egalitarian of hues. Indeed, its essence is that is not a single color. Instead, gray gives us a muted echo of all the light spectrum, a moody version of white. Contrast this with the bias of other pigments — reds, blues, yellows — that reflect just a tiny slice of the light available to them.
Gray is an unassuming mirror of the world and a quiet companion for its more assertive kin. It absorbs metaphors with ease, having combined light and dark: ash, silver, lead, pepper. A suitable tone, then, for winter reflections.
Happy Solstice, fellow ramblers.